Ezra Weston Loomis Pound (30 October 1885 – 1 November 1972) was an American expatriate poet and critic and a major figure in the early modernist movement in poetry. He became known for his role in developing Imagism, which, in reaction to the Victorian and Georgian poets, favored tight language, unadorned imagery, and a strong correspondence between the verbal and musical qualities of the verse and the mood it expressed. His best-known works include Ripostes (1912), Hugh Selwyn Mauberley (1920), and his unfinished 120-section epic, The Cantos, which consumed his middle and late career, and was published between 1917 and 1969.
Working in London in the early 20th century as foreign editor of several American literary magazines, Pound helped to discover and shape the work of contemporaries such as T. S. Eliot, James Joyce, Robert Frost, and Ernest Hemingway. Pound was responsible for the publication in 1915 of Eliot's "The Love Song of J. Alfred Prufrock", and for the serialization from 1918 of Joyce's Ulysses. Hemingway wrote in 1925: "He defends [his friends] when they are attacked, he gets them into magazines and out of jail. He loans them money. ... He writes articles about them. He introduces them to wealthy women. He gets publishers to take their books. He sits up all night with them when they claim to be dying ... he advances them hospital expenses and dissuades them from suicide."
Outraged by the loss of life during the First World War, he lost faith in England, blaming usury, financial institutions, and capitalism for the war. He moved to Italy in 1924 where throughout the 1930s and 1940s, to his friends' dismay, he embraced Benito Mussolini's fascism, expressed support for Adolf Hitler, and wrote for publications owned by the British fascist Oswald Mosley. Beginning in 1935, after a long campaign of requests by Pound, he was allowed to make regular addresses on Italian state radio in support of Fascist policy and a variety of subjects of his choosing. During the Second World War the Italian government paid him to make hundreds of radio broadcasts criticizing the United States, Franklin D. Roosevelt, and in particular Jews, broadcasts that were monitored by the U.S. government. As a result, he was indicted by a U.S. grand jury on treason charges in mid-1943, along with eight others. At the end of the war, on 3 May 1945, he was arrested by Italian partisans and turned over to American forces. He spent months in detention in a U.S. military camp in Pisa, including 25 days in a six-by-six-foot outdoor steel cage that he said triggered a mental breakdown: "when the raft broke and the waters went over me." Deemed unfit to stand trial, a decision disputed for decades after his death, he was incarcerated in St. Elizabeths psychiatric hospital in Washington, D.C., for over 12 years.
While in custody in Italy he had begun work on sections of The Cantos that became known as The Pisan Cantos (1948), for which he was awarded the Bollingen Prize in 1949 by the Library of Congress. The honor triggered enormous controversy, mostly because of his antisemitism, his status as an indicted, but not convicted, traitor, and in part because it raised literary questions about whether a supposedly "mad" poet who held such contentious views could produce work of any value. He was released from St. Elizabeths in 1958, thanks to a protracted campaign by his fellow writers, and returned to live in Italy until his death. His political views ensure that his work remains controversial; in 1933 Time magazine called him "a cat that walks by himself, tenaciously unhousebroken and very unsafe for children." Hemingway nevertheless wrote, "The best of Pound's writing—and it is in the Cantos—will last as long as there is any literature."